Welcome to Coolasscinema.com! This is a site dedicated to the propagation of strange and exciting cinema (and television) from all over the world as well as America's own grand tradition of exploitation cinema classics. From the front (and back) seats of drive in's across the nation, to the sleaze pit theaters of New York's famed 42nd street, to the comforts of home watching fantastic cinema on the Late Show, remember those classic (and sometimes classless) films of old and even discover some new ones.
THE LION OF ST. MARK 1963 aka IL LEONE DI SAN MARCO
Gordon Scott (Manrico Venier), Gianna Maria Canale (Rosanna Melzi), Alberto Farnese (Titta), Franca Bettoia (Isabella Fieschi), Rik Battaglia (Giandolo), Mirko Ellis (Civetta)
Directed by Lugi Capuano
The Short Version:This rare Gordon Scott pulp pirate picture is harmless fun for all audiences and the type of movie you'd see at an old style matinee, or on a Saturday afternoon. With lots of action, a lively cast of characters, numerous cliffhanger moments and some low key comedic touches, this high seas adventure is worth storming the castle for its plundered booty.
Turkish pirates raid the Adriatic coast. The buccaneers eventually attract the ire of Manrico Venier during a ballroom dance commemorating the joining of two European families through the marriage of Manrico and the Venetian beauty, Isabella Fieshi. From there, Manrico disguises himself as the 'Lion of St. Mark', a masked hero that protects the downtrodden from the pillaging pirates. During an attack against Titta and his rogues, Manrico comes face to face with the alluring Rosanna. Despite being on opposite sides of the law, the two soon fall in love with one another. While keeping the relationship a secret from both sides, it's eventually discovered leading to an explosive siege on the pirates stronghold.
This Gordon Scott vehicle is a semi ambitious pirate picture helmed by adventure ace, Luigi Capuano. Considering Scott and Steve Reeves were rivals of a sort, it's likely this production was a response to Reeves starring role in MORGAN THE PIRATE from 1960. Whereas that film was lacking in action, Capuano's movie contains a preponderance of it. Also, unlike Reeves, Gordon Scott was far more energetic and imposing in the fighting sequences. Furthermore, Scott was persistent in performing most of his own stunts. Curiously, there's one moment here, the first time we see the masked swordsman, that's it's a double and not Scott in the costume.
Amidst the prolific series of peplum/fusto films, there was a seemingly successful string of costume adventures of pirates and some entries even melded the strongman genre with the swashbuckler. Capuano directed one of the better examples with the escapist fluff that is HERCULES & THE BLACK PIRATE (1964). For THE LION OF ST. MARK, Capuano goes for the same, but with a stronger actor in the lead. The story is ZORRO and ROBIN HOOD all rolled up in one. Manrico (Scott) dons a mask and battles the Ozkok pirates under the guise of the 'Lion of St. Mark' and helps the less fortunate people in the surrounding lands.
Rik Battaglia (left) and Gordon Scott (right)
The films plot borrow elements from the legendary story of St. Mark the Apostle whose remains were stolen by three Venetian graverobbers from his tomb in Alexandria, Egypt in the ninth century. Upon returning to Venice, the three men handed over St. Mark's remains to the Doge (military leader). After that, the dead Apostle was made the patron saint and his symbol, a winged lion, became known as the representation of the Republic of Venice.
The film also borrows plot points utilized in Sergio Corbucci's SON OF SPARTACUS from 1962. That film also took inspiration from ZORRO. In both films, the main stars (Steve Reeves in SON) don masks and also implement a decoy disguised as the hero they are accused of being in an effort to keep their identity a secret.
Capuano's movie is aimed at a general audience. At least in the English export version (it's apparently missing over 20 minutes of footage), the violence is mostly tame. Even the villains are not quite as vicious as you'd expect. The pirates seen here are somewhat honorable in that they don't try to kill captives and fight fair when challenged. That doesn't make the film any less enjoyable, just acceptable for younger viewers. The sword fights are fine, if repetitive and plentiful. The sets are mostly authentic and the costumes are extravagant. I am sure a widescreen presentation would only enhance the picture.
This is a must see adventure film for Gordon Scott fans. If you enjoyed his popular interpretation of Tarzan and his imposing roles in scores of torch and toga epics, you'll find this of interest as well. The action is abundant, violence is minimal, but the story is pulpy fun and the script has some enjoyable characters. This is just one of Capuano's many adventure movies on his resume. While I wouldn't say he was a great director, he knew how to deliver popcorn and candy coated entertainment rife for Saturday afternoon viewing.
copyright 2013. All text is the property of coolasscinema.com and should not be reproduced in whole, or in part, without permission from the author. All images, unless otherwise noted, are the property of their respective copyright owners.
I've been a huge movie buff since childhood catching old horror and monster flicks on Shock Theater and kung fu movies at the drive-in during the late 70's and early 80's. I've had a long time fascination with, and appreciate all genres of fantastic cinema, good and bad. One fans cheese is another fans juicy steak. I like both equally and seldom find a film I truly dislike as I will find something of interest in just about anything. The bulk of the films or tv series' seen here are mostly from my childhood, or films I own in what has become an Amazing Colossal DVD collection.