Welcome to Coolasscinema.com! This is a site dedicated to the propagation of strange and exciting cinema (and television) from all over the world as well as America's own grand tradition of exploitation cinema classics. From the front (and back) seats of drive in's across the nation, to the sleaze pit theaters of New York's famed 42nd street, to the comforts of home watching fantastic cinema on the Late Show, remember those classic (and sometimes classless) films of old and even discover some new ones.
John Stinson (Ted Lonergan), Diana Davidson (Jennifer Stanton), Toni Jannotta (Sherry Carpenter)
Directed by William Malone
The short version: William Malone's maiden monster movie is nothing overly special, but does have some good qualities and a nicely constructed, if derivative monster. A few moments of suspense, a decent score (also derivative) and a good lead performance add up to a minor footnote in 80's creature features.
Something living beneath the streets of LA is killing civilians when night falls. It is soon discovered that a Syngenor, a dangerous creature grown in a lab has escaped and survives off of the spinal fluid of its prey. Growing at a rapid rate, an ex-cop and a female scientist familiar with the creature hunt it down before it can claim anymore victims.
The early 1980's were rife with horror movies. If it wasn't slashers, it was monsters either from outer space, or man made creations. SCARED TO DEATH (made in 1979, but not released till '81) falls into the latter camp despite a title that would lead one to believe it was a stalk-and-slash movie. In a way, the film acts along those lines, but substitutes a masked killer for a guy in an impressive full body monster costume.
I remember first seeing it on Commander USA's Groovie Movies in the late 80's then buying the Video Treasures tape (in LP mode;remember those?) not long after. Seeing it again now in widescreen, it's a decent time waster punctuated by a few good scenes, but it's not as memorable as I remembered it being. Interestingly, pop singer/actor, Rick Springfield was set to headline the movie but backed out twice (and both times the night before filming was to begin!!) citing he would miss too many acting classes if he did the film(??)
There's quite a lot of stalking sequences and a couple of them contain some genuine suspense. One of the best involves a pretty blonde attempting to get her car started. Once it starts, it won't go anywhere. In the background, you can see something standing up behind her car. The music swells and this sets into motion the buildup to just exactly when the monster will strike. Another choice sequence is when the two protagonists discover the monsters nest in the sewer. It's asexual and ready to reproduce. Various victims are found only for the creature to make a surprise appearance and chase the two interlopers out of its domain.
The acting is what is to be expected in a picture such as this and some of the characterizations are nicely drawn. The creature design is quite ornate and reminiscent of something straight out of an H.R. Giger painting. Comparisons to ALIEN (1979) are unavoidable in terms of the look of the monster with its whole bio mechanoid design. You only see the monster at night, which adds to the effectiveness of the thing. The ending is also well done.
The movie was popular enough to gain a sequel in 1990 under the title, SYNGENOR. That film utilized the now tired plot of the military wanting to use a monstrous creation as a field weapon. There's plentiful squishy effects work and multiple monsters as well as a wacky co-starring role by David (Dr. Hill) Gale. In SCARED TO DEATH, the monster is incredibly strong and gets destroyed in an inventive fashion. For the sequel, the creatures are killed by running water of all things. The name of the beast stands for Synthesized Genetic Organism.
The musical score is successful in overshadowing the films meager budget, but is occasionally derivative not only of cues from ALIEN, but also PSYCHO (1960). Director, Malone went on to helm the superior creature feature, and even more ALIEN inspired, CREATURE aka TITAN FIND (1985). His maiden monster movie and subsequent outer space terror film attracted the attention of the makers of the TALES FROM THE CRYPT cable series and Malone took the reigns for two episodes and also directed the remake of HOUSE ON HAUNTED HILL (1999).
It's not a genre classic, but less demanding viewers including fans of such low budget monster films like SLITHIS (1978) and C.H.U.D. (1984) will find a handful of cheap thrills in this drive in obscurity.
This review is representative of the Retromedia DVD
Mary Wilcox (Lindsay Finch), Lyle Waggoner (Alex Martin), Christopher Stone (Wade Farrow), Timothy Scott (Fred McSweeney)
Directed by Jacques Lacerte
The short version: A sometimes disturbing, but ultimately unsatisfying foray into taboo territory about necrophilia. The subject matter never becomes too distasteful, but is sporadically unsettling in its depiction of a woman incapable of loving a living man. Some added exploitation value is present with its cult of dead hoppers, but a reliance on flimsy characterization keeps the film from becoming too revolting.
***WARNING! This review contains pics of nudity***
A young woman, traumatized over her fathers death, tries to maintain a normal relationship with living men. Her affinity for necrophilia lures her to a funeral home in her search for fresh dead males. Her activities attracts the attentions of the attendants of the parlor, who belong to a bizarre sect of necrophilic practitioners.
This sometimes surreal, but occasionally boring horror tale about loving the dead a little too much has lots of potential. Director Lacertes squanders much of it on the relationship quadra angle between Lindsay, her various stiff consorts, the man who loves her and another man who is a bit more forceful in his attraction for her. Wedged in between all this are scenes of nudity and all too infrequent nasty business that somewhat betrays the luridness of the films title.
The pacing lags terribly in places and the warbling soundtrack reinforces the romanticism that kind of pushes the grim subject matter to the backseat. Probably more time is given to Lindsay and her "problems", both living and dead than any actual horror elements. That's not to say there's nothing here to interest sleaze fans. The necrophilia angle isn't handled to the extremes of NEKROMANTIK (1987), but it is unsettling and if the acting were better, the film would be far more successful regardless of how much time is spent on the dramatic aspects of the script. There are also a few scenes where dialog is being spoken between the main characters, but we never hear what they're saying. Instead, music plays over the soundtrack.
The most disturbing sequence would most probably be the one wherein the main villain picks up a gay male prostitute and takes him back to the funeral parlor. He then proceeds to get the man naked and coerces him to lie down on the embalming table. From their, the poor transient is strapped down and embalmed alive. There are several other mildy gruesome bits spread throughout and the ending is depressingly grim, but these are few and far between.
Some of the conflict between Lindsay battling with her "addiction" and trying to maintain a normal relationship works well, but it's clumsily handled much of the time. However, there is a fascinatingly morbid twist in the script in that those that love Lindsay, or bear a sexual attraction to her end up dead. That she can now love these individuals the way she couldn't when they were alive is barely explored. There is another rather nasty scene that may, or may not be a dream wherein the cult of necrophiliacs hoist a corpse from a rope, strip away his clothes, strip away their own clothes and proceed to slash the skin from the dead man.
Actress, Mary Wilcox gets undressed a couple of times and does reasonably well with what she has to work with. She had a relatively short lived career in exploitation movies. She did put in small roles in the humorous pimp comedy-drama, WILLIE DYNAMITE (1974) and a strip teasing role as a naughty nurse in the star studded PSYCHIC KILLER (1975). Possessing a rather long face, her body is toned and well proportioned. She's a very nice looking actress.
The most curious addition to this movie is the co-starring role of Lyle Waggoner of all people. Although exploitation movies weren't alien to his resume, Waggoner will probably be best remembered for his ensemble roles on the classic sketch comedy favorite, THE CAROL BURNETT SHOW. I remember him best as Major Steve Trevor on the popular television series, WONDER WOMAN. Horror fans will also recognize Christopher Stone from THE HOWLING (1981) and CUJO (1983) and also his marriage to actress, Dee Wallace.
Sleaze fan-addicts will likely be disappointed in this exercise of sex with the living and the dead. The storyline has so much going for it, but the director wastes far too many opportunities for me to recommend this to anyone other than die hard 70's horror film completists.
This review is representative of the Code Red/Media Blasters DVD
I figured I'd run off another entry while I had some of the comics out this evening. Most of the books featured here are one's I bought with my allowance when I was a kid and are presented here "uncut", warts and all complete with worn and crinkled covers.
HOUSE OF MYSTERY #279
HOUSE OF MYSTERY started out as a horror comic akin to the EC comics of the day. When the controversy surrounding those grim, yet artistic endeavors brought an end to such lurid storytelling, DC's series morphed into a superhero book such as DIAL H FOR HERO. Later on, it returned to strictly terror tales. It lasted 321 issues.
SECRETS OF HAUNTED HOUSE was another DC horror title that ended in 1982. This issue, #43, was one of the last. The run ended with issue #46.
GHOSTS was yet another horror title from DC, the home of such famous characters as BATMAN and SUPERMAN. GHOSTS ran for 112 issues ending in the early 80's around the time some of their other horror titles finished up there runs. Below are two additional GHOSTS covers as well as a look at the back covers for retro reasons.
Below is the back cover of GHOSTS #86 advertising a poster for something called STAR TREK: THE MOTION PICTURE (1979).
And then the back cover for GHOSTS #71 features a cool ad for some BATTLESTAR GALACTICA model kits.Anybody have these?
Charlton Comics had their own line of horror titles and they were told in the same style as everyone else's. All seemingly inspired by the trailblazers at EC comics, the Charlton series of spooky stories consisted of titles such as GHOSTLY TALES, GHOST MANOR, HAUNTED and BEYOND THE GRAVE. Below are a series of covers for some of them.
GHOSTLY TALES (#131)
GHOSTLY TALES (#158)
HAUNTED #75 (1984 reprint)
BEYOND THE GRAVE #7 (January 1983 reprint)
GHOST MANOR #71
GHOST MANOR #76
Comic book movie adaptations were a regular occurrence back in the day. Here's one for the movie THE LITTLE SHOP OF HORRORS (1986). Sometimes, movie adaptations would be broke up over several issues and other times, they'd be crammed into one 60 to 80 page comic book. The latter is the case with this one. The comic ends with the theatrical ending and not the original, downbeat ending.
Lastly, it's a couple of horror themed CONAN style comic books. One from DC and the other from Marvel.
This is ARAK, SON OF THUNDER issue #12. This issue obviously took inspiration from CLASH OF THE TITANS (1981; there's also a multi headed dog creature). This series featuring a Native American hero lasted for 47 issues.
This is CREATURES ON THE LOOSE #22. It featured the first of eight appearances by THONGOR, a character modeled after CONAN. This Marvel series frequently dealt with stories about monsters and fantasy characters. The series lasted for 37 issues. There was also to have been a live action movie in the 1970's from Amicus, the lead rival to Hammer Films, but the company went bankrupt before the film could be mounted.
This is a new column that focuses on various comic books. I figured I'd start this one off by sharing some cool horror comic covers I found while going through a bunch of comics I have in my collection. There'll be other horror comics featured here in addition to Marvel and DC comics from the 60's (my uncle gave me a huge lot of classics from the Silver Age of comics) up to the mid 90's when I ceased collecting. There were so many I never even read. I just bought them and bagged and boarded them.
This is the excellent Dark Horse Comics two part sequel to the Carpenter film. It has surreal artwork by John Higgins. It picks up right where the film ends wherein both Macready and Childs end up aboard a submarine where The Thing continues to wreck havoc leading up to something of a downbeat ending. I also got two or three of the 'Climate of Fear' series from Dark Horse based on THE THING. The cover to issue #2 is below.
This is DEADWORLD number 1 from Caliber Press. It's the first issue of volume 2 since the previous series from Arrow ceased. It's a B/W comic with color cover front and back. Those that like zombies will dig this series. The artwork is really quite nice.
This is Northstar Comics loose version of LEATHERFACE: THE TEXAS CHAINSAW MASSACRE 3. I only ever got issues #2 and #3. The artists were working from David Schow's original script for this four issue series. These comics are in color and contain spectacularly gory artwork that far outweighs anything seen in the movies.
These two LEATHERFACE comics were my first experience with comic books with such gruesome artwork in color. I used to draw a lot myself, and a lot of the pictures I drew were often kind of morbid not unlike some of the images seen in these books. Here's FantaCo's first issue of a graphic comic of George A. Romero's NIGHT OF THE LIVING DEAD. The stark and brooding B/W art is the work of Carlos Kastro. Unfortunately, I never got around to picking up the remaining three parts to this series.
This is FantaCo's first two issues of the cult comic, GORE SHRIEK. I first seen them in a lot of my Fangoria magazines, but bought these two at an Acme Comics in Greensboro. The artwork is all B/W.
The cover art on this issue reminds me a bit of the space creature featured in the cult gore classic, THE DEADLY SPAWN (1983).
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I've been a huge movie buff since childhood catching old horror and monster flicks on Shock Theater and kung fu movies at the drive-in during the late 70's and early 80's. I've had a long time fascination with, and appreciate all genres of fantastic cinema, good and bad. One fans cheese is another fans juicy steak. I like both equally and seldom find a film I truly dislike as I will find something of interest in just about anything. The bulk of the films or tv series' seen here are mostly from my childhood, or films I own in what has become an Amazing Colossal DVD collection.