Episode 7: MONSTER VS. SUPER-BEAST VS. ALIEN METRON, JR. (KAIJUH TAI CHOHJUH TAI UCHUH-JIN) ****
Directed by Masanori Kakei
TAC radar picks up a massive object on a collision course with Earth. It is the burning planet, Gorath. Earth has seven days remaining before it is destroyed by the flaming planet killer. TAC scientists quickly devise a massive missile, the Maria I, to intercept Gorath before it hits. Meanwhile, TAC officer Yamanaka runs into his girlfriend, Maya, and proposes to her. The happiness is short-lived as mere seconds before the Maria I launches, Alien Metron Junior appears and destroys it and one of TACs bases along with it. Quickly building another missile, TAC members are unaware that Alien Metron has killed Maya and taken over her body to further sabotage TAC HQ.

Before our heroes can catch a breath, the Super-Beast moth monster, Doragoris, appears and attacks the base. Ace manages to temporarily hold Doragoris at bay after using the Ultra Barrier, but the move has left Yuko seriously exhausted. Meantime, Alien Metron has destroyed the TAC lab with the Maria weapon blueprint, although Dr. Suzuki memorized the plans. Yamanaka finally learns his fiance is dead, her body appropriated by the evil Alien Metron. Going giant, Alien Metron engages TAC; then the Yapool send Doragoris to join him. Hokuto and Yuko transform to Ace and the fight is on. As the battle rages, another monster, Muruchi II, inexplicably appears. Now a three against one fight, TAC's underground weapons facility desperately tries to build the Maria II as Gorath nears closer to the Earth....
What could've made for one helluva way to close the series, the makers of ULTRAMAN ACE pack an incredible amount of action, cliffhangers, and storytelling into a mini-epic very early into its 52 episode run. Toho monster fans will rejoice by the inclusion of one of the company's lesser discussed, but no less magnificent, Science Fiction movies--GORATH from 1962. In that film, Gorath was an enormous star hurtling towards the Earth while scientists attempt to move the Earth out of its axis to avoid destruction. For its ACE appearance, Gorath is akin to any other monster; similar to the Planet Killer from the classic STAR TREK episode, 'The Doomsday Machine'.
Much like a giant monster was wedged into the human drama of Honda's classic, so is Gorath thrust into the plot of a monster series for no other reason than to make the plot as chaotic as possible. For the most part, these two episodes are organized chaos--there's so much going on you barely have time to pay attention to scripting snafus. This two-parter rates highly strictly for its entertainment factor as these types of programs aren't known for subtlety, much less richly written characters. Ichikawa Morichi (and Shozo Uehara for part 2) has crammed enough cliffhangers in an hour to fill a Republic serial. This was his third of seven U-ACE scripts.
Kazuo Sagawa returns as SPX Director. He handled duties on episodes 1-4 while Takashi Ohira took the helm of episodes 5 and 6. There are some nice composite shots, opticals, and fiery explosions scattered about the varied list of special effects. Many of them are effectively utilized to propel the story as opposed to satisfying the obligatory devices these types of shows adhered to. Excluding Gorath, two of the monsters have appeared before.
Alien Metron first appeared in episode 8 of ULTRASEVEN, 'The Cursed Town'. The appearance of this offspring is slightly different; nor does it speak, unlike the alien from the U-7 episode. The Metrons of the earlier series were pretty nasty creatures and this lone alien shows no less disdain for humankind. Like Gironman of episode 5, the evil Alien Metron II (played by Fuyuki Shinada) isn't one of the Yapool. You could say he's working alongside them, although one merely wants to take over the Earth while the Metronian wishes to destroy it. In an unusual move, when Alien Metron takes over a body, he kills them beforehand; so there's no reviving the host after the monster is destroyed. In this series, the creature's powers are an electrical attack (fatal to humans) and explosives that shoot from his fists.
Making its debut, Doragoris (played by Toru Kawai), the Super-Beast moth monster, is a particularly cruel being. The most vicious of the Super-Beasts seen up to this point, Doragoris has a penchant for extreme body mutilation; not to mention it gives Ace an enormous pounding in their handful of scuffles. Aside from its relentless attacks and enhanced strength, Doragoris is a fire-breather and fires rockets from its palms. The monster's roar is a modified version of Gabara's roar heard in the underrated GODZILLA'S REVENGE (1969).
Muruchi II, the offspring of the original Muruchi from RETURN OF ULTRAMAN episode 33, enters the fray out of nowhere. With Gorath in the plot and two monsters already trouncing Ace, the appearance of the third monster wrings the last drop of disbelief from the audience. You're almost waiting for a giant kitchen sink to fly across the screen. We'll save mentioning the full range of Muruchi's brief appearance for part 2 since it doesn't appear till the final moments of part 1; and the monster's exit is one of the most memorable of the series.
Kaori Seki and stage and voice actor Jun Hazumi are the guest stars in these two shows. In relation to this series, the former is the most interesting of the two. Her character as Maya is actually a really good one, and a nice arc for lending TAC member Ichiro Yamanaka (Shunichi Okita) some exposition. Sadly, it's too little and too melodramatic to mean much. Yamanaka comes off as mostly annoying in his vendetta to avenge his fiance at the expense of his duties. The bulk of the Maya character's scenes are in this episode while she's seen only in flashback imagery for the second half. Kaori was originally set to star as Yuko Minami, but an accident before filming began prevented her from participating so Mitsuko Hoshi got the role at the last minute. Kaori did shoot some photos (see insert) with Keiji Takamine (Hokuto Seiji), the male half of Ace before being replaced.
Speaking of Ace, Hokuto is a lot more serious here. He's still buffoonish at times but has the most commanding presence seen up to this point. Morichi's script gets as much mileage as he can out of the male/female pairing required to form Ace and putting it in peril via the usage of a new ability--the Ultra Barrier (different from the Neo Barrier of episode three). Ace turns himself into a tornado, spinning so rapidly he creates a rip in the air that contains the target for a 24 hour period; the downside to this ability is the amount of energy it requires. If you've seen the entirety of this series there's some foreshadowing of a dramatic change that occurs a little over halfway through.
A fantastic, action-driven episode, the level of energy is maintained in the second half even if the violence gets out of control. Ratings for the series started out strong, but dipped downward quickly, although things took an upturn for this two-parter. To find out how this one ends, stay tuned....
MONSTERS: Alien Metron II; Doragoris; Muchin II; Yapool (dimensional image)
WEAPONS: Maria I; TAC base artillery; 5-0 Laser Rifle; TAC Guns
Episode 6: PURSUE THE MYSTERY OF THE TRANSFORMING SUPER-BEAST! (HENSHIN CHOHJUH NO NAZO O OE!) ****
Directed by Tadashi Mabune
Completing his week-long moon mission, Akira Koyama is headed back to Earth when his ship comes under attack by a Yapoolian force. In trouble, TAC is dispatched to rescue him. Unaware that Koyama has been possessed by the Yapool, TAC brings him safely back home for a reunion with his son, Atsushi. Having suddenly grown facial hair, and refusing to remove his gloves, it isn't long before Atsushi notices something is wrong with his father. That night as Koyama slept, Atsushi pulls one of his gloves off and finds a single eye and a fang-filled mouth on his palm! Terrified, Atsushi tells his schoolmates his father is a monster but none believe him. Hokuto Seiji visits him and decides to snoop around to find out if the boy is telling the truth. Now aware Koyama is under control of the Yapool, the Super-Beast Brocken takes over and attacks the city....

Shigemitsu Haguchi's screenplay about a little boy trying to convince everybody his dad is a monster is a good one--sufficiently characterized for the brief time allotted. These types of stories dealing with aliens appropriating the bodies of human beings have been constants in the previous Ultra Hero series', and it's done well here in ACE--a series built around alien possession. Another area where U-ACE has a strong foundation is action; and this episode has plenty of it.
The general consensus with these programs is that they're basically the same thing from one show to the next. While that is true, the sliver of substance that occasionally creeps in makes those episodes stand out. Episode 6 is another of the same-old-same-old, but manages to hit the right buttons with its minuscule (and repetitive) plot to warrant notice. Ace's sixth soiree is aided immensely by this episodes guest star....
Shoji Kobayashi, ULTRAMAN's Science Patrol Commander, was a regular face in Japanese SciFi. He's the victim of some otherworldy body-snatching--highlighted by the sudden appearance of facial hair; and made obvious by the cyclopean, alien eyeball and teeth that have taken up residence on his palm. Instead of attacking the monsters like in ULTRAMAN (1966), Kobayashi's Akira Koyama gets to become one of them--transforming into the crocodilian threat, Brocken, the byproduct of Yapoolian engineering.
Post-ULTRAMAN (1966), the actor appeared in an episode of ULTRASEVEN and a two-parter in RETURN OF ULTRAMAN. After his appearance on U-ACE, Kobayashi moved over to a regular role on Toei's wildly popular MASKED RIDER television series. Predominantly a TV actor, Kobayashi did a lot of movies, too. Among his last works were GAMERA 2: ADVENT OF LEGION (1996) and ULTRAMAN ZEARTH (1996) and ULTRAMAN ZEARTH 2: SUPERHUMAN BIG BATTLE (1997). Kobayashi died on August 27th, 1996 from lung cancer at 65 years of age.

Akihiko Iguchi designs another bizarre monster, designs that reflect the alien technology used to create them. For the first time we see the Yapool's laboratory where their hellish Super-Beasts are made. Brocken is part crocodile, part alien glop. One of the larger monsters seen thus far, it's a two-man suit. Brocken has three attack maneuvers--flame spits from his nostrils; laser bolts fire from his twin whips; and laser beams stream from the mini-brocken heads he has for hands. The ears of Godzilla fans will instantly perk up once they hear Brocken's roar... it's the same one later used for Titanosaurus in Ishiro Honda's excellent TERROR OF MECHAGODZILLA (1975).

The end battle is tightly edited. The moment Ace transforms his gator-esque opponent loses an arm (he has it back again during a brief editing mistake). Both combatants throttle each other till Ace is overcome and close to total energy depletion. An Ultra Sign appears with Zoffy, Ultraman, Seven and Jack giving instruction to essentially turn Brocken into a pair of boots. The brief pep talk was just what Ace needed. He hops up and immediately blurts out, "Ultra Guillotine!" You can probably guess what happens next.
Lots of new things are on view in this episode--TAC Arrows have built in fire extinguishers and magnetic cables to aid in bringing Koyama's spaceship to safety.... and watch for people who cast no shadow--it means they're not of this world!
Another episode that's a lot of fun, and it closes out with Koyama and Atsushi playing that old game of shadow chasing/stomping; apparently a popular Japanese game, I remember playing it as a kid. The object is to chase another player (or players), and if you stand on their shadow they must then chase you; or they must freeze for ten seconds before playing again. You can "hide" in another shadow, but only for a short time. Therein lies the appeal of these shows to genre fans--they allow us to be kids again.... even if it's just to reminisce.
MONSTERS: Brocken; Yapool (Alien lab)
WEAPONS: TAC Arrow #1,#2; TAC Space; TAC Gun (with laser adapter)
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