Basil Gogos paints yet another fangtastic front cover this time featuring the evil visage of MR. HYDE. Inside this issue are the concluding articles on both MARK OF THE VAMPIRE (1935) and THE THING FROM ANOTHER WORLD (1951) including an artists concept of what 'The Thing' looked like in the books hardcover edition. The spotlight is on the 1932 award winning version of DR. JEKYLL & MR. HYDE and also images from a number of foreign fright films including from Mexico, THE CASTLE OF THE MONSTERS (1958) and THE SHIP OF THE MONSTERS (1960) and Germany with DEAD EYES OF LONDON (1939), MUTANO THE HORRIBLE (??), THE STRANGE CASE OF DR. RAMPER (1927) and Fritz Lang's atmospherically Gothic 1923 picture, SIEGFRIED.
There's also a whole page spread of a cut shot from HORRORS OF THE BLACK MUSEUM (1959) depicting Michael Gough menacing an old woman with a nasty piece of cutlery.
Back cover Famous Monsters #62
Gogos strikes again this time painting Boris Karloff from THE MASK OF FU MANCHU (1932). There's an info packed look at the making of the big budget George Pal production, THE 7 FACES OF DR. LAO (1964), a farewell to filmmaker/ cinematographer Karl Freund (the original 1932 MUMMY), a look at prehistoric monsters and gigantic Earth born beasties in the movies and a long detailed Filmbook look at THE MASK OF FU MANCHU. There's also a brief snippet involving a rare 1935 radio interview with Boris Karloff where it's revealed his next movies to be FRANKENSTEIN LIVES AGAIN! and THE WEREWOLF OF LONDON (1935). The former eventually became THE BRIDE OF FRANKENSTEIN (1935) and the latter was played by Henry Hull.
Back cover of Famous Monsters #65
Issue 66 again features the painterly qualities of Basil Gogos with this impression from the Karloff starring THE OLD DARK HOUSE (1932). Found within this issue is an article on William Castle with some choice candid shots including a picture of a group of fans decked out as skeletons promoting 'William Castle For President'. There's also a fascinating piece on a few of horror filmdom's most well known ape actors--George Barrows, Charlie Gemora and Ray "Crash" Corrigan complete with lots of behind the scenes information such as Barrows' thoughts on his self created gorilla suit seen in various movies and television shows being rented out for the British horror flick, KONGA (1961).
Interestingly enough, there's a Raquel Welch like pose of Angela Dorian aka Victoria Vetri from WHEN DINOSAURS RULED THE EARTH (1970). Dorian, 66, has recently, and quite shockingly made headlines for attempted murder on her boyfriend!
Vic Prezio designs an impressively macabre cover from WITCHCRAFT (1964). This cover highlights a special on occult movies from around the world. There's also an article on the ominous abodes of screen villains and the monsters that live in them.
One highlight is the creepily sinister similarity to a shot of the mask worn by MR. SARDONICUS (1961) and the mask worn by the boogyman himself, Michael Myers. There's also some great images from the likes of PLANET OF THE VAMPIRES (1965)(1965), FRANKESTEIN CONQUERS THE WORLD (1965) and rare Mexi-horror, SHADOW OF THE BAT (1968) and Italian science fiction sword and sandal, GIANT OF METROPOLIS (1961).
This cover displaying an image from the original MYSTERIOUS ISLAND (1929) from the paint brushes of Vic Prezio. Within these pages there's a great cinema bio on famed filmmaker, George Pal, the makeup applied to the QUEEN OF OUTER SPACE (1958) and photos from the rare Mexi-horror LA LOBA (THE SHE-WOLF;1965), THE MANSTER (listed under its aka, THE SPLIT;1959) and SPACE MONSTER (aka SPACE PROBE TAURUS;1965).
The celebrated Basil Gogos returns for this Lon Chaney 40th anniversary that features a filmbook on the lost film, LONDON AFTER MIDNIGHT (1925). Newspaper clippings reporting his death and his many fearful faces are featured here. One photo is particularly amazing showcasing Chaney wearing a similar costume Olga Baclanova wore during the final moments of FREAKS (1932), a film made after Chaney's death. There's a look at the aborted tele-series, TALES OF FRANKENSTEIN with Anton Diffring and the popular column, 'You Axed For It', which is a collage of creepy images from assorted monster movies. A photo packed article on the missing link movie, SKULLDUGGERY (1970) starring Burt Reynolds closes out the issue.
Back cover Famous Monsters #69,
September 1970
SATURDAY THE 14TH 1981
Richard Benjamin (John), Paula Prentiss (Mary), Jeffrey Tambor (Waldemar), Severn Darden (Van Helsing), Kari Michaelson (Debbie), Kevin Brando (Billy), Roberta Collins (Cousin Rhonda)
Directed by Howard R. Cohen
It gets bad on Friday the 13th...But it gets worse on Saturday the 14th
The Short Version: New World horror spoof made in the wake of the far superior LOVE AT FIRST BITE from 1979. Possessing a funny moment here and there, it's mostly a missed opportunity in this haunted house hokum. It's worth revisiting for purposes of nostalgia, but most others will want to "get out of this house".
A family inherits a big, spooky estate and finds an over-sized volume entitled 'The Book of Evil' hidden within. Upon opening the book, monsters featured within its pages magically come to life and wander the grounds terrorizing the residents and generally make a nuisance of themselves. Meanwhile, a vampiric couple who are searching for the book, ultimately match wits with a man named Van Helsing, now working as an exterminator.
Howard R. Cohen has done some monumentally monotonous movies such as the infrequently diverting SPACE RAIDERS (1983), the incredibly anemic DEATHSTALKER 4: MATCH OF TITANS (1990) and an incredibly boring and unfunny sequel to the film in question under the title SATURDAY THE 14TH STRIKES BACK (1988). SATURDAY THE 14TH is one of those movies you remember from your childhood that appealed to you then, but upon seeing it again years later, you ask yourself just what in the hell the big deal was. That's not to say there aren't some funny moments here. Actually, as the movie progresses, it becomes mildly amusing peppered with a few funny gags here and there.
"My god, look at all these owls!"
I assume with this coming close on the heels of the AIP hit, LOVE AT FIRST BITE (1979), New World was hoping for a similar reaction. This was likely the reason Richard Benjamin was chosen for the head of the haunted household since he was key to the funny business in that George Hamilton disco vampire opus. Benjamin is cast alongside his real life wife, Paula Prentiss as the wholesome husband and wife who moves into this cobweb entrenched domicile with their two children; pseudo hilarity ensues. Maybe hilarity is too strong a word? The animated opening credits sequence gets things started off right with its coughing wolf and bat that keeps bumping into things (he's blind as a bat, get it?).
There's bats in the belfry, the television only plays 'The Twilight Zone' and something with enormous hands has been washing the dishes late at night. One of the best and funniest moments (probably the most well known sequence in the film) involves the daughter, the pretty Kari Michaelsen (Katie from GIMME A BREAK and who possesses one of the most shrill banshee screams ever), taking a bath only for a fin to appear swimming around beneath the bubbles as the JAWS theme plays on the soundtrack. Emerging from the soapy depths is the creature from the bubble bath while subtitles reveal that the out-sized flounder just wants the big book of spooky stuff.
"She's not my type! She's hundreds of years too young for me!"
When Van Helsing (played with subdued, kooky zeal by Severn Darden) enters the picture, the minor league laughs become more frequent. They decide to have a ghoulishly gala house warming party with the monsters as uninvited guests. It's then revealed that Van Helsing is the unlikely bad guy who then squares off against the vampire couple in a childish, second rate AIRPLANE! finale that recalls the superior duel of wizards from Corman's THE RAVEN (1963).
"Without my first cup of coffee in the morning, I can't see straight."
There's a nice little nod to both Corman's LITTLE SHOP OF HORRORS (1960) and Polanski's ROSEMARY'S BABY (1968), Jeffrey Tambor as a vampire named Waldemar, a police officer who tries to get the Gill Man to get his hands up and Benjamin making a Scooby Doo sandwich with every meat and cheese known to man and topped off with peanut butter. Also, the MONSTERS have a MAD PARTY in the kitchen late one night and Richard Benjamin finds a pair of eyeballs in his coffee (Is this a "sight" gag?). These are some of the funny and not so funny moments in this horr-ible spoof that hearkens to the old monster and haunted house pictures of old. You'll even spy some occasional product placement such as Coca Cola, minute maid and good ole' Count Chocula.
Far from being a good movie, I still have an affinity for it mostly from a nostalgia perspective. It's possibly the funniest of New World's horror spoofs including this films sequel and also the later star-studded TRANSYLVANIA 6-5000 (1985). Proceed at your own risk as watching may bring the viewer bad luck.
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