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Kuo Chui (Kao Yao), Chiang Sheng (Chi Sanyun), Lu Feng (Ling Yunzi), Chen Su Ho (Zeng Jun), Chu Ko (Liang Rong), Wang Li (Fang Su Kuang), Yu Tai Ping (Wei Fang), Chao Kuo (Han Yanzhang), Hsiao Yu (Long Cong Yu)
Directed by Chang Cheh
A vicious masked gang of blood drinking killers commit murder for profit terrorizing the countryside. A group of valiant warriors from famous martial families band together to put an end to the cruelty of the veiled assassins. Wearing demonic masks and armed with tridents, the devilish mob hide out in a dilapidated temple. Once their location is discovered, the ever dwindling number of heroes make their way to the trap laced villains lair for a gruesome and violent showdown.
Chang Cheh, close to the end of his tenure at Shaw Brothers, directs this fitfully entertaining and hyper violent Wuxia/Kung Fu hybrid in his string of comic book venom movies. It's essentially a reworking of Cheh's earlier production of FIVE VENOMS (1978). In that film, the five main participants were (mostly) unknown to one another and everyone else. For MASKED AVENGERS, the group of heroes are desperate to learn the identities of the three chiefs of the trident bearing gang. If you've seen enough of the venom movies, it isn't difficult to figure out who at least two of the chiefs are.
Even if the audience is aware of the villains identities, the movie is peppered with tons of excellent and gory action choreographed by Kuo Chui, Lu Feng, Chiang Sheng and Chu Ko. Another aspect that's ported over from FIVE VENOMS is the ambiance of mystery. While we learn that Kuo's character of the cook was once aligned with the villains, we never know just where his true alliance lies till late in the film. This story conceit was also utilized for Cheh's FLAG OF IRON (1980), a reworking of his earlier THE DUEL (1971).
The production itself is of a high standard when compared with some of the directors other works during this time. Everything is shot on cramped sets as with all of Cheh's movies of this era. But the sets, especially the elaborate traps and the finale set within the inner sanctum of the gang is a construction wonder filled with numerous nasty snares that lay claim to a number of lives during the big fight finish.
Johnson Tsao was an integral part of the look of the Shaw Brothers movies and he truly shines here devising a predominantly gloomy atmosphere. This is accentuated by the villains propensity for turning edifices with religious symbolism into a means of torture and death for their victims.
The gang of killers is also one of the most striking assembly of rogues ever seen on film. With their red and black clothing, tridents and horned masks, they truly embody the classical representation of the Devil; and in this case, it's an army of demonic figures. What makes them even more despicable is that they drink the blood of their victims. Tying them to statues, the gang use their captives as "target practice" before letting the blood spill into a vat of wine. The malicious bunch then parade around in excitement amidst fireworks as they are paid for their hellish deeds.
The trap laced temple is quite a sight with its winding razor bladed doors and statues of Buddha that are used as torture devices for the gangs captives. Inside the temple the walls emit an array of arrows, acid and spikes. There are also some elevator platforms which bring the villains down in flamboyant fashion.
The final battle inside the temple is simply one of the wildest and most intricately choreographed sequences of the time with special mention of the final scene. The film heavily utilizes the soundtrack from MAD MAX (1979). Sadly, HK audiences continued to show their disdain for Chang Cheh's old fashioned style of movie making and MASKED AVENGERS ended up being one of the directors biggest box office disappointments of his career.
For years much has been said of the directors alleged homosexuality. I think it's pretty ridiculous myself and the director explains in his memoirs his theories on male bonding and brotherhood and the reasons why he created male dominated films in an industry that, prior to his ONE ARMED SWORDSMAN (1967), was dominated by women movie stars. There are only two women seen in MASKED AVENGERS. One plays a sister to one of the swordsman families. She is summarily killed taking a trident to the back after appearing on screen in what appears to be a drunken state.
The other female is seen via a flashback enroute to her wedding. Her husband killed, the woman is then raped and presumably killed. In some of Cheh's earlier productions, women featured prominently alongside the male stars it just wasn't very often. A number of film directors like Sergio Leone shunned emphasis on women roles. I guess they were all gay, too.
MASKED AVENGERS (1981) was one of a handful of venom movies that only featured three of the original line up. The three main constants were Kuo Chui, Lu Feng and Chiang Sheng. Rounding out the remainder (and sometimes alternated) were Wang Li, Chen Su Ho, Lung Tien Sheng and Chu Ko.
Chiang Sheng typically played a goofy and wisecracking character, but here, he sticks with a more mature presentation. He plays his role as the leader of the chivalrous fighters in a very mannered fashion compared with his past roles. Chiang Sheng was also an assistant director on a number of Chang Cheh's movies from this time period as well as being a producer on some of Chang's independent work post Shaw Brothers.
Kuo Chui dominates the movie as the mysterious cook with a secret. Kuo is the most famous of the five actors that ultimately became far more well known in America than they ever did in Hong Kong. Out of the five, Kuo Chui and Lo Mang are the most recognized. Kuo was also a little more ambitious and successful than his two schoolmates.
He directed one film in Taiwan (NINJA IN THE DEADLY TRAP 1984) and the experience soured him on further directing jobs. Kuo is still busy today choreographing both HK and US productions. He is still in great shape and time has been good to him. One of his most memorable roles was as Mad Dog in John Woo's HARD BOILED (1992).
Lu Feng is his usual duplicitous self masquerading as a wealthy scholar (again) who in fact, uses his stature as a cover for the activities of the killer gang. Lu Feng was an ace at playing sinister characters as he did most often. On a few occasions, Lu dabbled as a protagonist like his roles in INVINCIBLE SHAOLIN (1978) and DAREDEVILS (1979). But he was so good at being evil, it was difficult to accept him any other way other than a villain who leads the heroes to their doom.
Lu Feng later took duties as a film producer and also dabbled briefly as a director. Like Chiang Sheng and Kuo Chui, Lu Feng often joined his two opera chums designing the action scenes in their movies. It came natural for the three of them since they basically grew up together and knew each others moves and styles.
Two men that show a lot of skill are Chin Su Ho and Chu Ko, the latter individual handling co-choreography duties. Chen was formerly introduced in TWO CHAMPIONS OF SHAOLIN (1980). He had previously been one of Lu Feng's spearmen in REBEL INTRUDERS the same year, but had no major dialog. Chen went on to decent career in HK cinema. He was never a huge star, but was popular enough that audiences knew who he was.
Chu Ko, a magnificent performer, seemed to fade away after his career at Shaw Brothers ended. He did a few indy movies prior to joining Shaws where he worked primarily with Chang Cheh. He was an amazingly gifted martial arts screen fighter along with his colleague, Ricky Cheng Tien Chi who took the starring role in the following years FIVE ELEMENT NINJAS.
I was lucky enough to catch the film at the drive in back in the early 80's and again on television where it got a lot of airplay. MASKED AVENGERS (1981) is a riotously good time and a great popcorn, pizza and soda flick for those who love martial arts extravaganzas such as this. The movie doesn't let you down and Chang Cheh delivers one of his most creatively violent and bloody action movies of his long and tumultuous directing career.
This review is representative of the R3 IVL DVD from Hong Kong. The US label, Media Blasters will be releasing the film on North American shores sometime in the near future so all you REAL fans avoid those Red Sun/Bonzai bootleg DVDs like the plague!
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I've been a huge movie buff since childhood catching old horror and monster flicks on Shock Theater and kung fu movies at the drive-in during the late 70's and early 80's. I've had a long time fascination with, and appreciate all genres of fantastic cinema, good and bad. One fans cheese is another fans juicy steak. I like both equally and seldom find a film I truly dislike as I will find something of interest in just about anything. The bulk of the films or tv series' seen here are mostly from my childhood, or films I own in what has become an Amazing Colossal DVD collection.