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Tuesday, April 28, 2009

Cleopatra Jones & the Casino of Gold (1975) review


CLEOPATRA JONES & THE CASINO OF GOLD 1975

Tamara Dobson (Cleopatra Jones), Stella Stevens (Bianca Javan), Tanny (Mi Ling Fong), Norman Fell (Stanley Nagel), Chan Shen (Soo Da Chen), Albert Popwell (Matthew Johnson), Caro Kenyatta (Melvin Johnson), John Chang Wu Lang (David Chiang), Lin Chen Chi (Madalyna), Tino Wong (Thug)

Fighting Instructors: Tang Chia, Yuen Cheung Yan; Art Director: Johnson Tsao; Director of Photography: Alan Hume

Directed by Chuck Bail


Helping out Cleopatra Jones, the Johnson Brothers, on assignment in Hong Kong, find themselves captured by the nefarious lesbian criminal mastermind, Bianca Javan. Attempting to make a bust with a drug runner named Soo Da Chen, it is soon learned that Soo was a former crony of Bianca's now secretly cutting into her business. Cleo arrives in Hong Kong and immediately sides up with a fiesty kung fu fighting female, Mi Ling Fong and her gaggle of motorcycle riding associates.


Cleo and company find Dragon Lady Bianca also runs an elaborate golden gambling casino and with armed assassins at every turn, Cleo puts her life in serious danger. Mounting a rescue, Mi Ling and the Hong Kong Tactical Squad Seven launch an all out attack on the Dragon Lady's Casino in a bullet riddled and explosive final confrontation.


Jack Starrett did not return for directing chores on this magnificent sequel to CLEOPATRA JONES (1973). Chuck Bail of BLACK SAMSON (1974) and GUMBALL RALLEY (1976) takes over directorial duties here. He displays a masterful hand at guiding the film from one action scene to the next. This sequel is all about the action delivering twice as much bang for the buck as the first picture. For this outing, Warner Brothers teams up with Asian mogul mavens the Shaw Brothers. Warners was the studio responsible for importing the kung fu craze from Hong Kong to America after picking KING BOXER (1972) as the one to introduce the United States to the wonders of Asian action. Rechristened FIVE FINGERS OF DEATH, the hugely successful picture started a firestorm of kung fu releases all around the world. With the blaxploitation genre on the wane by 1975, it was a logical step to marry the kung fu film with the black action style.


Not only is CASINO OF GOLD a hybrid film, it contains an even stronger Bondian element than its predecessor. Here, Cleo has a far more challenging adversary in the guise of Bianca Javan played by the gorgeous Stella Stevens. Looking far more lithe than in her revealing role in SLAUGHTER (1972), in which she had no qualms about full on nudity. Here, Stevens gets rowdy looking rather lively and kinetic in the action scenes. Stevens shines twice, once taking on Chan Shen in a sword duel inside an arena encircled with large blades. At the end during the explosive battle royale, Stevens has a knock out, drag out fight with Dobson and the two tear down what's left of the casino after it's pretty much obliterated by machine gun fire and explosions.


Both characters are perfectly balanced. Both are skilled fighters and know their way around a gun. Cleopatra has twice as many action scenes as she had the first time around and choreographers, Tang Chia and Yuen Cheung Yan make her look much better than the Hapkido maneuvers showcased in part one. Bianca shows off her sword skills and willingness to put her life on the line when she partakes in a duel against one of her former associates mentioned above. Both characters are gaudy in their own inimitable ways.


Cleopatra changes outfits on a regularity akin to the previous picture, only this time, the costumes and makeup are more far fetched. Interestingly, Dobson was responsible for her own makeup. Bianca is flashy in her toys, such as her extravagant lair and the magnificent design of her casino.


Bail's movie has a little something for everyone. From its blaxploitation ties with the previous movie, to the kung fu fights, some brief sex, nudity and lesbianism, light comedic moments and even bigger action set pieces. The combined force of both Warners and Shaw really comes together to create a glossy and expensive looking production that contains some amazing stuntwork among the many highlights. The biggest being the blow out finale complete with blazing guns, explosions, kung fu and crashing motorcycles. It is glaringly obvious that a lot of effort was put into this production. Everything's bigger this time out. The soundtrack is more boisterous, the production is loftier and there's a grand scale that captures the look and feel of the James Bond flavor that the previous film only skimmed the surface of.


Tamara Dobson really comes into her own as Cleopatra Jones this time out. It's such a shame that the series didn't continue after this entry as this could have been a continuing series of adventures for the fiery and intrepid special agent. Dobson had a few good fights in her initial outing, but here, she shows off every few minutes getting into scuffles with multiple opponents even taking shots to the back with chairs and getting hit with large vases. Does she go down? Hell, no! She takes it like only Cleopatra Jones can and gets right back in the game. For this sequel, Cleo is given a partner played by Shaw starlet, Tanny Tien Ni whom was married to Shaw star, Yueh Hua that year.


Tanny Tien Ni featured predominantly in dramas, comedies and horror pictures such as the two BLACK MAGIC (1975, 1976) movies as well as grim horror films like HEX (1980) and CORPSE MANIA (1981). Here, she really gets to shine and show off her long legs in a scene where some villains sneak into her room and tie up her arms and she's left to duel with her feet. I don't doubt that there isn't a stuntman during portions of this sequence, but it's clearly her in places. She also gets behind the wheel of the car during a grand car chase near the beginning when she and Cleo pursue some of the bad guys through the mob filled streets of Hong Kong. The credits say this is her "introduction" despite appearing in films prior to this movie. She and Dobson make a wonderfully engaging team onscreen just the same.


One scene in particular recalls ENTER THE DRAGON's mirror filled finale. When the dynamic duo meet up for the second time after Mi Ling helps Cleo take care of some street thugs, they go to Mi Ling's hangout; a gymnasium with all manner of bladed and automatic weapons. Both characters playfully demonstrate their skills amid rotating mirrors with a moving target behind them. Mi Ling with her feathered darts and Cleopatra with her gun. Both hit their targets without breaking any of the spinning glass. Mi Ling's detective agency even has a typical 70's ring to it-- the Hong Kong Tactical Squad Seven. Norman Fell plays Cleo's boss, Stanley. He's frequently the butt of one liners from Cleopatra Jones. Oddly enough, Norman Fell would soon find fame on the controversial hit comedy sitcom, THREE'S COMPANY (1977-1984) playing a character named Stanley Roper.


One of the most enjoyable niceties of the film is the plethora of familiar faces from many of the Shaw Brothers movies. Both background players and supporting performers, you'll spy Yuen Shun Yee, Alan Hsu Chung Sin (the villain in SHAOLIN TEMPLE AGAINST LAMA), Yuen Wah, Tino Wong, San Kuei (CRIMINALS 4) and even Lu Feng and Kuo Chui (two of the FIVE VENOMS) as thugs or background henchmen. It's quite a sight seeing Cleopatra Jones mixing it up with some of the Shaw players. John Chang (SHAOLIN MANTIS, TWO WONDROUS TIGERS) plays one of Mi Ling's motorcycle riding operatives named David Chiang(!)


Then there's perennial Shaw Brothers bad guy, Chan Shen in the role of Soo Da Chen. It's not a particularly well developed role, but it's nice to see him clashing swords with Stella Stevens towards the end.


The gorgeous Lin Chen Chi also has a supporting role as one of Bianca's "daughters". She has a brief sex scene with Stella Stevens and two other women. Despite the potential for some sleazy cavorting, the sequence is tastefully shot. They do share a kiss in close up. Lin is naked on the bed but lying on her stomach, but you do see her buttocks.


In addition to all the familiar faces, you'll also recognize a lot of familiar Shaw kung fu movie sets including the huge pagoda seen in HAVE SWORD WILL TRAVEL (1969) and LEGEND OF THE SEVEN GOLDEN VAMPIRES (1974). Portions of sets used for the Dragon Lady's lair will be familiar to anyone that's a fan of Shaws period martial arts pictures. There's also a shot of the Connaught Centre building, at one time the largest skyscraper in Hong Kong. It was scaled by the Mighty Peking Man in the 1977 HK film of the same name.


Released in November of 1975, CLEOPATRA JONES & THE CASINO OF GOLD was a massive bomb in Hong Kong unjustly ignored by local audiences. It didn't fare too well in the States either. The blaxploitation genre was on the wane, and although this film was a hybrid and not a full fledged black picture, it's curious why it never found an audience as it contained a lot of style, entertainment value and mindless fun. I guess it's safe to assume that the box office juggernaut, JAWS (1975) had a lot to do with it as it was released a few weeks earlier in the United States.


Fans of blaxploitation and Shaw Brothers action, as well as Bond fans, should check out this comic book fantasy super heroine adventure. Better yet, indulge yourself with a double dose of Cleo with a back to back showing of both CLEOPATRA JONES films.

This review is representative of the Warner Brothers region 2 DVD.

10 comments:

Sean M said...

I saw this today but even though it's a long time since i watched the original i have to say i enjoyed it more even though i'm not too sure about Tamara Dobson's OTT eye makeup.I hardly recognised her from the first film.Stella Steven is also a brilliant nemesis for Cleo and because i enjoyed her looks /performance so much i've gone ahead and ordered SLAUGHTER where apparently we get a full frontal!
I agree that this movie will satisfy fans of the Bond franchise and also fight flix fans.The Hong Kong locations reminded me too of ENTER THE DRAGON which is still one of my lifetime favourite films.
This colourful film is a visual treat throughout with the explosive finale being particularly memorable.

venoms5 said...

This is one of the most extravagant of the blaxploitation films. It's a shame this Shaw Brothers-Warner Brothers co-production failed to capitalize in either territory.

I loved this one, too. The original is also good, but this seemingly more expensive sequel is tops in my book.

Sean M said...

Weren't there any other Shaw co-productions Brian?

venoms5 said...

Yeah, quite a few. These come to mind--LEGEND OF THE SEVEN GOLDEN VAMPIRES, STRANGER & THE GUNFIGHTER, VIRGINS OF THE SEVEN SEAS, SUPERMEN VS. AMAZONS, THREE SUPERMEN AGAINST THE ORIENT and some Sir Run Run Shaw producer credits like CANNONBALL, INSEMINOID, THE DUELLISTS, BLOOD BEACH and BLADE RUNNER.

Sean M said...

I meant Blaxploitation hybrids in particular but i'll look into those other titles you mentioned thanks.

venoms5 said...

Oh, sorry, Sean. This one did poorly in both HK and America so I would assume that kept anymore similar films from being produced. The blaxploitation genre was on its way out at the time and the blockbuster success of JAWS released a month earlier no doubt laid waste to much of the competition.

Rex Saigon said...

There WERE others. THAT MAN BOLT (1973), for starters. ;)

venoms5 said...

BOLT isn't a Shaw co-production and was produced two years prior to the JONES sequel. Sean was asking about Shaw blaxploitation type pictures; if there were anymore of them.

Josh Gordon said...

Who's the dude in the yellow shirt, is it David or another character. Personally, I loved the first film, and I LOOOOVED this one. David and Mi Ling are some of my favorite characters. Bianca is an amazing villainess, Tamara is wonderful as always, and the *SPOILERS* death of Madalana *SPOILERS END* had very Bond-esque *execution* to it.

venoms5 said...

Hi Josh. Yeah, that's the David character played by John Chang. He played villains in things like 36TH CHAMBER OF SHAOLIN (1978) and lead roles in indies like THE EAGLE'S KILLER (1981).

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